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Description
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Sure it’s cute, but the Mackie 1202-VLZ3 pa mixer is a serious professional compact mixer, with features that belie its small footprint. The ideal compact mixer for home and project studios, the 1202-VLZ3 is equally at home on the road, on the stage, or in the recording studio.
While it keeps all the features and functionality of its predecessor, the Mackie 1202-VLZ3 audio mixer offers even greater headroom versus the original. Mackie could have stopped right then and there, but they’re obsessed with perfection. So they redesigned the Mix Bus, tweaked the EQs, and created a mixer with a highly intuitive, musical feel.
VASTLY SUPERIOR XDR2 MIC PREAMPS
Mackie's new XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. They offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1202-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-level signals up to +22db, without any added coloration. You simply won’t find preamps this good on any other mixer in this price range.
PROFESSIONAL FEATURES
The Mackie 1202-VLZ3 is packed with premium features on every mic channel: 75Hz Low-Cut filters, two Aux Sends, inserts, phantom power, constant-loudness Pan controls and Pre Fader Solo. And since you can never have too many output options, Mackie provided a Control Room/Phones source matrix, Master Aux section with EFX to Monitor, tape outputs, a high-volume headphone amplifier and balanced XLR and TRS outputs.
EQUALIZATION
Mackie invested tremendous resources optimizing the center frequencies of our 3-band Active EQs. By selecting 80Hz, 2.5kHz and 12kHz, for the Lows, Mids and Highs, respectively, Mackie created an even more musical EQ than on previous VLZs. With up to 15dB boost/cut capability per band, VLZ3’s Active EQ provides more tone-sculpting latitude than any other mixer in its class.
NEED EVEN MORE FLEXIBILITY?
Greg Mackie's mind was working overtime when he originally came up with this idea — instead of sending muted signals into the vacuum of space, why not do something useful with them? So, when you press the mute button on the 1202-VLZ3, the signal is indeed muted, but it also appears at the ALT 3-4 output jacks and ALT 3-4 stereo bus. This is an ideal way to create additional Aux Sends and mixes for cry rooms, green rooms, or assistive listening, etc. And with a press of a button, the ALT 3-4 mix can be assigned to the Main output—which means ALT 3-4 can act very much like a "mixer within a mixer." For instance, you could assign the backup vocals to the ALT 3-4 bus and then use the CTL ROOM/SUBMIX fader to add them back into the main mix. Now one fader controls the level of those channels as a single unit.
BUILT MACKIE TOUGH
All Mackie VLZ3 audio mixers are built tough-as-a-tank. Mackie legendary solid-steel chassis can take the kind of abuse that would turn some competitors' flimsy boxes into twisted chunks of debris. Instead of cheap, unsealed potentiometers, Mackie uses co-molded pots, which offer substantial strain and impact relief. By design, Mackie control knobs “ride” just above the surface of the chassis, so if something falls onto the mixer, the impact is transferred from the knobs to the chassis—not to the potentiometers or circuit board. Finally, Mackie uses thick, horizontally mounted fiberglass PC boards to eliminate the potential for damage and brace them with a shock-absorbing support structure. They’ve survived earthquakes, hurricanes and typhoons, so Mackie mixers can certainly handle whatever you throw at them.
SUPERIOR SOUND QUALITY
Leave it to the innovative minds at Mackie to produce the 1202-VLZ3, an even perfecter version of the best-sounding mixer in its class. mixer for the stage, the studio, or even the road, you won't find a a more perfect one than the 1202-VLZ3.
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- Mackie 1202 VLZ3 Profile:
- New ultra-low noise VLZ3 design with highest possible headroom
- 4 studio-grade XDR2™ Extended Dynamic Range mic preamps with:
- Ultra-wide 60dB gain range
- 130dB dynamic range
- +22dBu line input handling
- Extended low frequency response
- Distortion under 0.0007% (20Hz - 20kHz)
- Phantom power for studio condenser mics
- 12 high-headroom line inputs
- Advanced DC pulse transformer RF rejection
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- 2 Aux sends, level, pan and PFL solo on each channel
- 2 stereo Aux returns + EFX to Monitor
- 3-Band Active EQ (80Hz, 2.5kHz, 12kHz)
- 18dB/oct. 75Hz Lo-Cut filter on Mic input channels
- ALT 3/4 stereo bus for added versatility
- Control Room/Phones source matrix
- Rack-mountable design using optional rack ears
- Sealed rotary controls to resist dust and grime
- New Multi-Voltage power supply for worldwide use
- Rugged steel chassis
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